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The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. He likes a good story in all its forms and in his spare time, cooks and runs up walls. He writes about tabletop roleplaying games and storytelling at rememberyourdice. Camera operator jobs are essential to any production. Working under the Director of Photography, they are instrumental in achieving the visual style of the film.
No matter the size and scale of production, a diligent and determined production coordinator will help their unit production manager UPM plan for the best but prepare for the worst. They work in tandem with the camera department to support them and the cinematographer in their endeavors. If the camera needs to be mounted on a jib, crane, ladder, or any other random position, they chat back and forth to make sure it's possible and safe.
There are lots of vehicles on a film set, but the grip truck is the easiest to spot. Aside from craft services, the grip truck usually has the most people around it. It's a well-stocked truck with every large tool and small gadget you need to tackle a variety of on-set tasks and technical needs. When you are hiring a key grip, they'll usually have connections to places they rent trucks from. The larger the truck, the more equipment it has inside. Most professional rental houses offer 3, 5, and ton versions of grip truck rentals as well as a 1-ton van package for smaller shoots.
But you should have your own toolbelt for the small things you use every day. If you want to be a grip, you need a toolbelt at the ready. So what goes into a grip kit? That's a generic list, but one of the most important tools a key grip needs to carry on the set is a C-Wrench.
It makes the process of rigging much easier and helps you in carrying out certain tasks much faster. They are the ones who get direct orders from the cinematographer and who oversee the building and rigging. It's an incredibly important department, so the key grip needs to be an excellent leader. The key grip is a department head, so they are sent a copy of the script early on. They will participate in the camera meetings and sometimes be involved when it comes to shot lists and storyboarding.
Especially if there are complicated angles or things the director and cinematographer want to try. After talking with the cinematographer, the key grip might sketch out some rigging ideas and collaborate with the other people in the department for ideas on how to get things done.
Sometimes there are standard rigs, but in tough situations, you might be figuring out how to strap a RED to a camel or how to keep a rig from shaking as a Ferrari speeds around a racetrack. The responsibilities of key grips are to be excellent problem solvers, be very creative, and not frustrate easily. Tactical knowledge and communication skills also come in handy. They need to be able to talk to people in their team and also the director and cinematographer.
Across the world, there might be a different nuance to the position. For example, in the United Kingdom, the grips are a part of the camera group exclusively, while in New Zealand and Australia, the key grip owns the grip equipment, so you need them to bring everything to set and hire people based on what you need and what they offer.
The best way to move up on any set is to start out as a production assistant. After surveying the wide variety of jobs, if you want to be a key grip, try to become an assistant in the camera department, or see if the grips have their own dedicated production assistant, depending on the size of the movie. After working as a generic grip for a while, you can advance within the union, and become ready for key grip positions. Start small and work your way up to epics.
Make friends with cinematographers and directors who can provide opportunities to work together in the future. All grips are governed by IATSE , and on union shoots, may find themselves subject to union payment rules. As you know, the key grip is the head of the grip department.
Under him is the best boy. There are two kinds of best boy: best boy electric and best boy grip. In short, the best boy acts as the foreman for the department.
The best boy grip assists the key grip. The best boy electrical assistants the gaffer.
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